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- From picks to pedals and every accessory in between, Dunlop Manufacturing has been creating world-class gear for musicians for over 50 years. We consistently create the best selling picks and analog electronics, and carry a large line of accessories that set industry standards in their respective fields.
From picks to pedals and every accessory in between, Dunlop Manufacturing has been creating world-class gear for musicians for over 50 years. We consistently create the best selling picks and analog electronics, and carry a large line of accessories that set industry standards in their respective fields. We have a long list of legendary and modern-day superstars who all share a.
more.. Gear • Reviews • Effects • Gear Award 2013 • Fuzz • October 2013 • Dunlop Ring the bells. Crack the champagne. At long last, you can buy a great-sounding germanium-transistor Fuzz Face for around a hundred bucks.
The Fuzz Face Mini Germanium is one of three new small-format Dunlop Fuzz Faces. (The others are higher-gain models with silicon transistors.) At 3 ½' circumference, it’s about half the size of a traditional model, and a better fit for most pedalboards. (The downsizing has no sonic consequences.)
Simply Impossible
The Fuzz Face circuit requires only about a dozen simple components. So why has it been necessary to pay boutique prices for a vintage-correct sound?
The Fuzz Face circuit requires only about a dozen simple components. So why has it been necessary to pay boutique prices for a vintage-correct sound?
Blame those pesky germanium transistors. They became increasingly difficult to source after silicon replaced germanium for most electronic applications, a transition that was pretty much complete by the time Hendrix rocked Woodstock. New-old stock (NOS) germanium transistors aren’t just rare—they’re unstable, requiring laborious measuring and matching. But that situation is changing thanks to the recent spate of new-production germanium transistors and, in Dunlop’s case, some remarkable sourcing of NOS parts. Whatever their provenance, these transistors sound great.
The Germanium Mystique
Germanium doesn’t automatically sound better than silicon, but it usually sounds different. Silicon transistors tend to be higher gain, delivering brighter, tighter tones. Germanium transistors often sound warmer and spongier, and they excel at transitioning smoothly between clean and fuzz timbres according to input level. A properly voiced germanium Fuzz Face lets you drive from your guitar’s volume knob. Diming it should yield thick, high-cholesterol distortion. Rolling it back should reveal a clean tone nearly indistinguishable from your sound with the pedal bypassed.
Germanium doesn’t automatically sound better than silicon, but it usually sounds different. Silicon transistors tend to be higher gain, delivering brighter, tighter tones. Germanium transistors often sound warmer and spongier, and they excel at transitioning smoothly between clean and fuzz timbres according to input level. A properly voiced germanium Fuzz Face lets you drive from your guitar’s volume knob. Diming it should yield thick, high-cholesterol distortion. Rolling it back should reveal a clean tone nearly indistinguishable from your sound with the pedal bypassed.
Ratings
Pros:
A great vintage-style Fuzz Face at a great price.
A great vintage-style Fuzz Face at a great price.
Dunlop Fuzz Face Serial Numbers Chart
Vinnie moore hot licks pdf. Cons:
The quirky Fuzz Face circuit isn’t for everybody. Chutti tv all programs list.
The quirky Fuzz Face circuit isn’t for everybody. Chutti tv all programs list.
Tones:
Playability/Ease of Use:
Build/Design:
![Dunlop Fuzz Face Serial Numbers Dunlop Fuzz Face Serial Numbers](https://i.pinimg.com/236x/12/c0/57/12c057a373a47c51022774e88f268509--pedal-numbers.jpg)
Value:
Street:
Street $129
Street $129
Jim Dunlop, Fuzz Face Mini Germanium FFM2
jimdunlop.com
jimdunlop.com
The FFM2 triumphs on this front, offering as much dynamic range as any Fuzz Face I’ve played. You could literally leave it on for the entire gig, regulating your distortion solely from the guitar.
I started out with a pre-CBS Strat, a brownface Fender Tremolux, and the Fuzz Face floored. Result: gooey fuzz goodness à la Jimi’s “Bold as Love” solo. The circuit’s high gain and treble-roll off softened the bridge pickup’s brittle edge while thickening lows. But amazingly (yes, it still amazes me after all these years), a twist of the Strat’s volume knob morphed the tone from corpulent to crystalline. It’s no mystery why so many Strat players are Fuzz Face fanatics.
Which isn’t to say the circuit doesn’t sound fab with humbuckers (though you sometimes encounter that opinion). The distortion was even wilder and looser with the hotter output of the vintage humbuckers in my ’65 Gibson Trini Lopez, and the volume-knob clean up was equally dramatic.
I also compared the FFM2 to a half-dozen boutique and homemade germanium Fuzz Faces. Due to variances in transistor gain, each sounded slightly different, but none sounded better than the Mini.
Dunlop Fuzz Face Serial Numbers 2017
Let’s Face It
Almost everyone loves Hendrix, but not everyone loves Jimi’s favorite distortion pedal. Fuzz Face quirks can be deal-breakers for some players. Vintage-style Fuzz Face tones are more about mass than focus—the same qualities that make them shine for single-note solos played with a trio can make their tones vanish when playing in a busy quintet. Most players keep the fuzz knob floored because lower settings can be farty and anemic. It’s a notoriously noisy circuit—if your guitar isn’t well shielded, brace for radio interference. A buffer or buffered effect placed before the Fuzz Face downgrades that mighty roar to an irritating buzz. The circuit sounds best with vintage-output pickups, and downright nasty with actives. Try before you buy.
Almost everyone loves Hendrix, but not everyone loves Jimi’s favorite distortion pedal. Fuzz Face quirks can be deal-breakers for some players. Vintage-style Fuzz Face tones are more about mass than focus—the same qualities that make them shine for single-note solos played with a trio can make their tones vanish when playing in a busy quintet. Most players keep the fuzz knob floored because lower settings can be farty and anemic. It’s a notoriously noisy circuit—if your guitar isn’t well shielded, brace for radio interference. A buffer or buffered effect placed before the Fuzz Face downgrades that mighty roar to an irritating buzz. The circuit sounds best with vintage-output pickups, and downright nasty with actives. Try before you buy.
The Verdict
If you dig high-cholesterol fuzz and supreme dynamic sensitivity, you need a good Fuzz Face—and you’d be hard-pressed to find one that sounds better than the FFM2 at any price. If you’ve been avoiding Dunlop Fuzz Faces because of past models that fell too far from the vintage tree, it’s time to reconsider.
If you dig high-cholesterol fuzz and supreme dynamic sensitivity, you need a good Fuzz Face—and you’d be hard-pressed to find one that sounds better than the FFM2 at any price. If you’ve been avoiding Dunlop Fuzz Faces because of past models that fell too far from the vintage tree, it’s time to reconsider.
What is it?
Dunlop JDF2 Fuzz Face. No idea where Dunlop currently makes these. If pot date codes are correct, this unit may have been rolled out in 2010.
Dunlop JDF2 Fuzz Face. No idea where Dunlop currently makes these. If pot date codes are correct, this unit may have been rolled out in 2010.
Dunlop Eric Johnson Fuzz Face
I’ve already written about the blue Jimi Hendrix model, which seemed like a decent silicon transistor remake of the unit Jimi used back in the day. That unit did look like a vintage board. But it turned out to be a borg with its surface mount components and trimmers hidden on the solder side. I was quite reluctant to open this up due to the experience provided by the Hendrix model. Somehow i’m glad i eventually did.
Dunlop Fuzz Face Serial Numbers 2
For these later units, the board doesn’t even try to look like vintage units. It’s your standard modern Dunlop board with ground fills and lead-free solder. On top of that, we have trimmers for bias, which are hot glued to their places.
Jacks and pots are connected with a clip on terminal and to minimize the amount of labour, the tiny board is mounted to the stomp switch terminals. This makes me wonder if those mini Fuzz Faces introduced in early 10’s have the same board inside. It would make sense. The transistors are AC218s, or at least they try to be. Those look a lot like restamped germaniums to me. If i try really hard to find something good to say, the pots, jacks and the battery snap are quality items that should be able to take a hit or two on the road.
No DC jack, nor any other good things we usually find in modern effects. Expect for the board, obviously. In all rather disappointing use for this enclosure. One should be able to score a period correct reproduction PCB through internet and use the enclosure with that. But then again. This is a piece of evidence how big brand and volumes can shift the idea in a design to something completely different. This will also be a part of Fuzz Face history, there’s no disputing that. In all. Decent unit. Nothing great and definitely nothing even close to the units sold as Fuzz Faces just a decade or two ago.
Dunlop Fuzz Pedal
How does it sound?
Like every other Fuzz Face and its straight-on derivative. Sluggish output level, all or nothing -type of controls, decent behaviour with guitar controls and well. Most of that original Fuzz Face magic in sound is present. I’d say this is very nice entry level fuzz for the youngster who want to get their hands dirty with their very first germanium fuzz. Some might consider this a keeper due to it’s tone. I find it as a keeper only because it resembles the golden oldie visually. Tone is rather close and visual aesthetics are in place. That’s about it. Very cheap to manufacture and due to its reputation, the price is also easy to keep high. Still. Recommended for a first fuzz device (never mind the Big Muff Pi for this urpose), but that’s pretty much it. Get one if you can, but don’t pay too much for this Dunlop model.
Like every other Fuzz Face and its straight-on derivative. Sluggish output level, all or nothing -type of controls, decent behaviour with guitar controls and well. Most of that original Fuzz Face magic in sound is present. I’d say this is very nice entry level fuzz for the youngster who want to get their hands dirty with their very first germanium fuzz. Some might consider this a keeper due to it’s tone. I find it as a keeper only because it resembles the golden oldie visually. Tone is rather close and visual aesthetics are in place. That’s about it. Very cheap to manufacture and due to its reputation, the price is also easy to keep high. Still. Recommended for a first fuzz device (never mind the Big Muff Pi for this urpose), but that’s pretty much it. Get one if you can, but don’t pay too much for this Dunlop model.